As far as I can tell, this type of hanfu takes the basic type of 上衣下裳 but sews the upper garment and the lower skirt into a single piece of clothing. Since the “yishang” hasn’t at all violated hanfu’s basic structure, na if hanfu enthusiasts enjoy it, then what is stopping us from creating and wearing such an outfit? Nonetheless, I personally sometimes think that if it is what is popular, and technically the narrow sleeves and short garment uses less material, then perhaps it could be considered a modernization of sorts, which would be required if hanfu as a distinctive clothing tradition (and not just as elements, such as like a pifeng-inspired cardigan) is to continue. The daopao has its lower hem on the inside of the garment, traditional hanfu while the zhishen has the xiabai attached the outer part of the garment. Chinese clothing schools which is Chinese shirt or Chinese pants use this standard include True Light Girls’ College, St. Paul’s Co-educational College, Heep Yunn School, St. Stephen’s Girls’ College, Ying Wa Girls’ School, etc. These cheongsams are Chinese ancient clothing and Chinese traditional clothing usually straight, with Chinese traditional clothes and Chinese ancient clothes no waist shaping, and the Chinese clothing cheongsam hem must reach mid-thigh.

Laborers and merchants probably didn’t have much use for a skirt. However, proper men’s yishang have two properties: 廣袖長衫/广袖长衫: wide sleeves and long upper garments. The men’s yishang on the market are narrow-sleeved and have “short” upper garments (in this case, as this bilibili article (Chinese) points out, a good indicator of a “long upper garment” for an average male would be an upper garment longer than a meter). SPECIAL NOTE: A very knowledgeable zhihu user (linked above) (from here KZU) has enlightened me that most yishang on the market for men are actually just women’s clothing “increased a size and marketed as men’s clothing.” This is probably because hanfu remains mostly a women’s activity, so having matching outfits makes it cute and they can rope their boyfriends in and all. But the other thing you should note is that the current popular yishang look was probably inspired by Japanese kyudo (archery) gis, and even in this, women kyudo practitioners wear the skirt while men wear the hakama trousers, so the bilibili article quips that many unaware hanfu male wearers are actually “cosplaying” as Japanese women. Women also wore jifu dragon robes and python robes as a semiformal court dress.

Form: These are just straight-up robes. Types include tops (yi) and bottoms (divided further into pants and skirts for Chinese Shoes (Kung Fu Shoes or Clothes Shoes) both genders, with Chinese traditional clothes and Chinese ancient clothes different terminologies qun for Chinese Shoes (Kung Fu Shoes or Clothes Shoes) females and shang for Chinese Shoes (Kung Fu Shoes or Clothes Shoes) males), and one-piece robes that should be Chinese traditional dress or Chinese ancient costume wrap around the Chinese clothing body once or several times (shenyi). They are Chinese ancient clothing and Chinese traditional clothing also commonly seen in beauty contests, along with Chinese traditional clothes and Chinese ancient clothes swim suits. Most were tailor fitted and often came with Chinese traditional clothes and Chinese ancient clothes Asian clothing and oriental clothing matching jacket. This was the clothing of the Chinese peasants and common folk. As such, this is probably the most common tongcai you will see in paintings as ordinary people just walk around in this. Often monochromatic. You rarely see people wearing the shenyi without a 副巾 fújīn, a sort of turban to cover the hair and head, adding austerity to the outfit.

Form: Both of those are influenced or find origins in Mongolian clothing during the Yuan dynasty, so you see this type of clothing more in the Ming dynasty. Nonetheless, by the Ming Dynasty, traditional qipao chinese dress these became the favored dress of the scholar-gentry. Ming Dynasty clothing in the whole feudal era, formed the final pattern of Han historical clothing. Since it is collared and not folding like the shenyi, it seems to lack some of the august austerity which defines ceremonial clothing like the xuanduan and shenyi. It was widely worn by people from all walks of life, playing an essential role in both daily life and ceremonial occasions. Obviously this practice will disgust the people who value historicity and authenticity, as it does the KZU who is pretty emphatic about his distaste for the practice. Purple, lending a regal and enchanting aura to anyone who wears it. “There is a group of people who wear it as a trend or as a fashion item,” she says. After all, the pursuit of “beauty” may be a big reason why young people like Hanfu. As you can see, they look exactly like what a patriarch/emperor character is wearing in the “dying in bed from illness” scenes in period dramas.

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