There is no uniform definition of what counts as hanfu since each Han-dominated dynasty had its own style, but the outfits are characterised by loose, flowing robes that drape around the body, with sleeves that hang down to the knees. The lapel robes worn during the Tang dynasty was categorized as Hufu instead of Hanfu; the use of these styles of robes showed the popularity of Hufu during the Tang dynasty, especially during the Wuzetian period (684-704 AD). In some unearthed pottery figures wearing lapel robes dating from the Tang dynasty, it found that the yuanlingpao had three buttons on the collar. 1 In the early Tang dynasty, the influence of hufu was described as a pastiche of Turkic, Uyghur, Sogdian and Sasanid Persian clothing. Following the fall of the Yuan dynasty, Emperor Taizu promulgated an imperial edict to restore Tang-style clothing and hats in the first year of his reign.

The Ming dynasty emperor wore a black veil folded over a scarf (with black veil wings and a crown), and the hat wings stood up from the back. Several other bans were made regarding the wearing of nomad clothing, which was recorded in the Ming dynasty historical records (for example, in 1442, 1491, etc.). Women adopted tarikubi (垂領, “drape-necked”) collars, which overlapped like modern kimono collars, though men continued wearing round agekubi (上領, “high-necked”) mandarin collars, which were associated with scholasticism, only later adopting tarikubi. It also popular for people to use fabrics (such as brocade) to decorate the collars, sleeves and front and their gowns; this clothing decoration customs is known as ‘partial decorations of gowns’ and was influenced by the Sogdians of Central Asia who had entered China since the Northern and Southern dynasties period. Cultural convergence in the Northern Qi period : a flamboyant Chinese ceramic container : a research monograph. It has also slowly gained traction amongst the overseas Chinese diaspora, especially in countries like Singapore. 272 However, just like women in the Tang dynasty period incorporated Central Asian-styles in their clothing, Central Asian women also wore some Han Chinese-style clothing from the Tang dynasty and combined elements of the Han Chinese-style attire and ornament aesthetic in their ethnic attire.

Hufu-style in this period included jacket with open-front with narrow-fitting sleeves, striped, tapered trousers, woven boots, and weimao (i.e. wide-brimmed hat with an attached gauze veil). The precursor of the Xiuhefu can be traced back to the Qing dynasty where a Qing dynasty-style aoqun, consisted of liling dajin changao and a mamianqun, was worn as a form of wedding dress during this period. As long-term enthusiast Yueyue explains, “Minghuatang’s wedding dresses are much sought after. Daojiao fushi (simplified Chinese: 道教服饰; traditional Chinese: 道教服飾; pinyin: Dàojiàofúshì), also known as Taoist clothing, are religious clothing and adornment worn by devotees and practitioners of Taoism, an indigenous religion and life philosophy in China. Yingluo (simplified Chinese: 璎珞; traditional Chinese: 瓔珞) was a ring-like neck ornament or fashionable necklace which was originally a Buddhist ornament depicted in Buddhist arts (e.g. sculptures and paintings) in China; the yingluo have roots in ancient India where its earlier prototype is the Indian ornament keyūra. 281 Under Emperor Shizong, the Jurchen were prohibited to be dressed in Chinese fashion and were forbidden from adopting Chinese personal and last names; this was because during his time (1161-1189), many Jurchen appeared to have adopted Chinese behaviours while the Jurchen had forgotten their own national traditions.

The rulers of Jin gradually abandoned their own customs, including clothing and language for Chinese ones, especially after having moved their capital to Kaifeng. Book of Jin. 卿七旒。 The Jin dynasty was founded by the Jurchens. The round-collar jacket and gown, tied with a belt at the waist, became a typical form of fashion for both Tang dynasty men and women as it was fashionable for women to dress like men in the Tang dynasty. After the High Tang dynasty period, the influences of Hufu progressively started to fade and the clothing started to become more and more loose. 183-186 Depending on time period, the Chinese yuanlingpao also had some traces of influences from the Hufu worn by the Sogdian. 281 Under Hailing Wang, who was Pro-Chinese emperor, Chinese people in Honan were allowed to wear Chinese clothing. 281 The order to adopt Jurchen hairstyle and clothing style was an Inner Asian practice of forcing people who were living on conquered lands to show their subservience to their conquerors. In 1126, the Jurchen orders all Chinese people living in the conquered areas to shave their hair on the front and to dress only in Jurchen style.

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